Favourite Audrey Ramirez Quotes
Audrey doesn’t get NEARLY enough love. It’s Edwardian period, yet she’s a genius Hispanic engineer who wears overalls, has adorably little meaty arms, doesn’t take any crap from boys, runs a mechanic business with her father and her sister is a prize fighter.
Cool Disney female characters don’t have to be princesses, folks.
don’t mind me
i’m just shopping for sorority gear for a sorority that not only do i not belong to, but does not in fact, exist
Is it this one?

hannahrae2 asked:
lemonteaflower answered:
….gUYS. GUYS.

THIS IS IRL MISS OFFICER I’M FREAKING OUT A LOT I CAN’T BREATH I’M DYING OVER HERE.
GUYS.
GUYS.
Top - Sam and Gabe - I have this general idea of a fun episode where Gabriel comes back, and Sam’s alone in the bunker when he finds Gabriel there, who’s been hiding out since it’s warded to Hell and back and very safe. And Sam is like ‘Oh great, I’m hallucinating again’, because of all the mental stress of like, everything, and he’s done it so many times before. So he totally thinks Gabriel is a figment of his imagination, never brings him up to anyone else because he doesn’t want Dean thinking he’s lost it again, and so they just kind of chillax and play board games when Sam’s not working a case too hard. Gabe usually wins, but it’s because he’s a cheat.
Middle - OC’s of no importance.
Bottom - Dean and Cas, with adorable freckles.
skyline-sunset-in-my-veins
andythanfiction-deactivated2017
This shot takes the cliché of sun pouring in like heavenly light- as is carefully created in, and depicted in, churches and holy spaces- and uses it so beautifully.
The Angel Castiel is in the center, the light looking like his very power of God behind him. He is avenging power and beauty. The Angel gone wrong Gadreel is in nearly complete darkness, subdued by the rest. Light does not reach him. Crowley sits, vulnerable, watched by the Angel, his face bathed in light on the side we can’t see, but light reaching beyond him to us. And the Righteous human Dean stands on nearly the same plane as Castiel- almost supportive to each other- but, even though he is a bit downstage, not central. He is nearly overwhelmed by the light from behind him, unable to stand fully upright in the face of everything in front of him.
This one shot, and the symbolism of the light, tells their entire stories and characters. It is just like, and even references, a renaissance painting.
When this show gets it right, it gets it right.
[Props to the director, lighting designer, set design and construction, and cinematographer for this, and this whole episode].





