Tumbling Like Alice

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277k ratings

See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
falloutgiugoo8iyoyo9wookie
kayy-lynnn: “ rejective: “ lead-me-to-your-grave: “ the-unkindnessofravens: “ I was crowd surfing, and I got thrown into a pit full of huge ass guys and instead of stomping me out, one yelled, “girl!” and they all stopped. Two guys came over and...
the-unkindnessofravens

I was crowd surfing, and I got thrown into a pit full of huge ass guys and instead of stomping me out, one yelled, “girl!” and they all stopped. Two guys came over and picked me up and carried me through the pit to put me back up on top of people on the other side to continue my surf. I dare you to call metalheads pricks.

lead-me-to-your-grave

reblogging for that ^ omfg

rejective

THE SAME PRETTY MUCH HAPPENED TO ME. I got pushed into a pit a week ago and I guess my facial expression described how scared I was and some like 6”4 guy just grabbed my arm and looked straight in my eyes and asked me if I wanted to be lifted away and I nodded and he lifted me to crowd surf aw like why can’t I go to school with a ton of “metalhead pricks”

kayy-lynnn

this is amazing

Source: weheartit.com
birddad
saunteredvaguelydownwards

Crime Against Nature, by Gwenn Seemel, is a book and series of paintings about the natural behaviors of animals, some of which may contradict our assumptions of what are natural male and female behaviors. It will also remind you that there is a wide diversity of reproductive strategies out there, some which you may have never imagined.

I would have loved this book as a kid - animals, beautiful artwork, and biology lessons all in one.

You can read the entire book free online, or buy it in paper or ebook format.

seraph5

birddad
fantasiestuckejournal

Manuscripts pages from Frédéric Chopin’s piano works in the composer’s hand.

Images in order:

  1. Notes and doodles by the composer (perhaps for his Variations on Mozart’s “La ci darem la Mano”). The doodle is apparently of Mozart and some sort of monument.
  2. Opening measures to Etude Op. 10, No. 3. Notice the original Vivace ma non troppo tempo indication. 
  3. Opening to the Ballade No. 1 in G Minor, Op. 23.
  4. Section from the Nocturne in Db Major, Op. 27, No. 2.
  5. Section from Prelude in Bb Minor, Op. 28, No. 16
  6. Final measures of Ballade No. 2 in F Major, Op. 38.
  7. Possibly an autograph by the composer using measures from the Polonaise in Ab Major, Op. 53.
  8. Opening to the Sonata No. 3 in B Minor, Op. 58.
  9. Page from Waltz in Db Major, Op. 64, No. 1 (“Minute Waltz”).
  10. Mazurka in F Minor, Op. 68, No. 4 - the composer’s final composition.
leadingtone

Gorgeous set!