somebody to love
Slapped some color (and a shiny new watermark!) on the Good Omens sketch from earlier this week. It’s great getting back into painting again, even if I switched rendering styles every other hour, haha! I especially loved working on Aziraphale’s wings and Crowley’s hair.
This is beautiful
Good Omens icons
Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch (Chapter: Saturday)
- by Terry Pratchett & Neil Gaiman
Neil Gaiman: I was rather surprised in this magical CGI world, we’re now in, in which everything is sort of created in computers when I heard from Douglas that they have figured out how to do the Crowley driving the burning Bentley shots in that they’re going to do it by having Crowley driving a burning Bentley, and it will be on fire while he’s driving it. And it’s like… okayyy, that’s going to be interesting.
Rob Wilkins: Being a practical man I immediately think of things like insurance and not killing actors and things like that, but Douglas is convinced that he can do it without… killing anyone and uhm…
Neil Gaiman: I don’t know that he’s convinced, but he’s hopeful.
Rob Wilkins: But he’s hopeful - that’s admirable - in any director.
Neil Gaiman: And if we lose David Tennant driving a burning Bentley… what a way to go.
I love the fact that people are like ‘How did you get Jon Hamm?’ and I’m like ‘Wrote an e-mail to him saying do you want to do this, the angel Gabriel, he’s not in the book but he’s gonna be in the thing and I want him to do this and I want him to be you and I know you love the book cause you told me you love the book’. And I get back one-word e-mail from him - it just says ‘Yes’ and it’s signed ‘HAMM’ in capital letters.
“How did John Ham get us?” Neil Gaiman said.







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